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9 1 4 22 phish dick’s sprting goods park commerce city Colorado posterportrait poster shirt



Off the 9 1 4 22 phish dick’s sprting goods park commerce city Colorado posterportrait poster shirt and I love this body’ there’s an object ness to A. Roege Hove pieces’ which feel modern and in sync with her way of working in concert with technology. The designer cuts through the fluff to focus on form and function. Good luck getting your hands on one of Lulu Kaaland’s creations. Editions of one’ and oozing with a cool that’s a bit 1970s’ her sweaters and dresses are crocheted by hand and follow no pattern but the artist’s intuition and whim. Though demand is high and unauthorized copies rife’ this Dane has makes pieces one by one’ and sells them on Instagram. A self taught artist/designer’ Kaalund only learned to crochet a few years ago while recovering from a concussion’ and she relishes in her craft. Essentially’ she’s a maker to whom the process is as important as the product’ and who is comfortable operating in the in between space between categories.


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Official 9 1 4 22 phish dick’s sprting goods park commerce city Colorado posterportrait poster shirt

“I think it’s important now to break up with the 9 1 4 22 phish dick’s sprting goods park commerce city Colorado posterportrait poster shirt and I love this idea that you have fashion’ or you have craft’ and then you have art. Craft and fashion are like art’s ugly cousin’ if you’re in the art world. It’s like you can’t mix them up. The world is different now…[you] need to be able to mix it [all] in and also understand that you’re not one thing or another thing. It’s everything.” Kaalund’s openness sparks creativity. On the day we chatted she was making bags with a friend for fun’ not for sale’ and last year she teamed up with fellow Dane Anne Sofie Madsen to make dynamic one off showpieces. Kaalund’s work is time consuming and her forays into the industry’ she says’ led her to think that “fashion needs to be a little bit more slow.” Made with vintage yarns’ or those passed onto her from friends’ her pieces exist far outside seasons and trends; they’re are made for keeps. “Even though [I’m making] clothes'” says Kaalund’ “I also try to think of them as art pieces [as] every one is unique.”


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Top 9 1 4 22 phish dick’s sprting goods park commerce city Colorado posterportrait poster shirt

Off the 9 1 4 22 phish dick’s sprting goods park commerce city Colorado posterportrait poster shirt and I love this body’ there’s an object ness to A. Roege Hove pieces’ which feel modern and in sync with her way of working in concert with technology. The designer cuts through the fluff to focus on form and function. Good luck getting your hands on one of Lulu Kaaland’s creations. Editions of one’ and oozing with a cool that’s a bit 1970s’ her sweaters and dresses are crocheted by hand and follow no pattern but the artist’s intuition and whim. Though demand is high and unauthorized copies rife’ this Dane has makes pieces one by one’ and sells them on Instagram. A self taught artist/designer’ Kaalund only learned to crochet a few years ago while recovering from a concussion’ and she relishes in her craft. Essentially’ she’s a maker to whom the process is as important as the product’ and who is comfortable operating in the in between space between categories.


“I think it’s important now to break up with the 9 1 4 22 phish dick’s sprting goods park commerce city Colorado posterportrait poster shirt and I love this idea that you have fashion’ or you have craft’ and then you have art. Craft and fashion are like art’s ugly cousin’ if you’re in the art world. It’s like you can’t mix them up. The world is different now…[you] need to be able to mix it [all] in and also understand that you’re not one thing or another thing. It’s everything.” Kaalund’s openness sparks creativity. On the day we chatted she was making bags with a friend for fun’ not for sale’ and last year she teamed up with fellow Dane Anne Sofie Madsen to make dynamic one off showpieces. Kaalund’s work is time consuming and her forays into the industry’ she says’ led her to think that “fashion needs to be a little bit more slow.” Made with vintage yarns’ or those passed onto her from friends’ her pieces exist far outside seasons and trends; they’re are made for keeps. “Even though [I’m making] clothes'” says Kaalund’ “I also try to think of them as art pieces [as] every one is unique.”

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